RED ONE MX (or EPIC) vs. ARRI ALEXA … Which one is best for me?
At Canvas Films we believe in using the best tools to get the job done. Following in the philosophy we don’t subscribe to the belief that one camera is better than the other. Each camera has it pluses and it minuses depending on the job at hand. With that in mind, Canvas Films is experienced working with each of the new digital cinema camera formats and takes pride in having perfected a post workflow for each camera. Editing in AVID, editing in Final Cut Pro? Canvas Films will make sure you receive the right file formats so you can start editing with your footage right after the shoot.
• Sensor – 14 Megapixel Mysterium-X
• Dynamic Range – 13+ Stops
• Max Image Size – 4k (4480×2304)
• Acquisition Format – 4.5K /4K / 3K / 2K RAW
• Frame Rates – 23.98 / 24 / 25 / 29.97 / 50 / 59.94
• FPS – 1 – 120
• Delivery Formats – 4k/2k DPX or TIFF / 1080P / 720P /
AVID AAF & MXF / H.264
• Sensor – 35 Format ALEV III CMOS
• Dynamic Range – 14+ Stops
• Max Image Size – 1980×1080 (2k possible with ARRIRAW & additional hardware)
• Acquisition Format – Apple QT ProRes 444 / 422 (HQ)
• Frame Rates – 23.98 / 24 / 25 / 29.97 / 50 / 59.94 / 60
• FPS – 1 – 60
• Delivery Formats – Apple QT ProRes 444 / ProRes 442 (HQ)
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